Talking of him, Antrobus did his usual set of facial jerks culminating in an expression like a leaky flowerpot and said: 'You know, old man, thinking of Polk-Mowbray today and all the different places we've served, I suddenly thought "My God, in Polk-Mowbray we have witnessed the gradual destruction of an Ambassador's soul".'
I was startled by this observation.
'I mean', went on Antrobus, 'that gradually, insidiously, the Americans got him.'
'How do you mean, "the Americans got him"?'
Antrobus clicked his tongue and lofted his gaze.
'Perhaps you didn't know, perhaps you were not a Silent Witness as I was.'
'I don't honestly think I was.'
'Do you remember Athens '37, when I was first secretary?'
'Of course.'
'Polk-Mowbray was a perfectly normal well-balanced Englishman then. He had all the fashionable weaknesses of the eighteenth-century gentleman. He fenced, he played the recorder.'
'I remember all that.'
'But something else too. Think back.'
'I'm thinking . . .'
Antrobus leaned forward and said with portentous triumph:
'He wrote good English in those days.' Then he sat back and stared impressively at me down the long bony incline of his nose. He allowed the idea to soak in.
Of course what he meant by good English was the vaguely orotund and ornamental eighteenth-century stuff which was then so much in vogue. A sort of mental copperplate prose.
'I remember now', I said, 'committing the terrible sin of using the phrase "the present set-up" in a draft despatch on economics.' (It came back gashed right through with the scarlet pencil which only Governors and Ambassadors are allowed to wield — and with something nasty written in the margin.)
'Ah,' said Antrobus, 'so you remember that. What did he write?'
' "The thought that members of my staff are beginning to introject American forms into the Mother Tongue has given me great pain. I am ordering Head of Chancery to instruct staff that no despatches to the Foreign Secretary should contain phrases of this nature." '
'Phew.'
'As you say — phew.'
'But Nemesis', said Antrobus, 'was lying in wait for him, old chap. Mind you,' he added in the sort of tone which always sounds massively hypocritical to foreigners simply because it is, 'mind you, I'm not anti-American myself — never was, never will be. And there were some things about the old Foreign Office Prose Style — the early Nicolson type.'
'It was practically Middle English.'
'No, what I objected to was the Latin tag. Polk-Mowbray was always working one in. If possible he liked to slip one in at the beginning of a despatch. "Hominibus plenum, amicis vacuum as Cato says," he would kick off. The damnable thing was that at times he would forget whether it was Cato who said it. I was supposed to know, as Head of Chancery. But I never did. My classics have always been fluffy. I used to flash to my Pears Encyclopedia or my Brewer, swearing all the time.'
'He sacked young Pollit for attributing a remark in Tacitus to Suetonius.'
'Yes. It was very alarming. I'm glad those days are over.'
'But Nemesis. What form did he take?'
'She. old man. She. Nemesis is always a woman. Polk-Mowbray was sent on a brief mission to the States in the middle of the war.'
'Ah.'
'He saw her leading a parade wrapped in the Stars and Stripes and twirling a baton. Her name was Carrie Potts. She was what is known as a majorette. I know. Don't wince. No, he didn't marry her. But she was a Milestone, old fellow. From then on the change came about, very gradually, very insidiously. I noticed that he dropped the Latin tag in his drafts. Then he began to leave the "u" out of words like "colour" and "valour". Finally, and this is highly significant, he sent out a staff circular saying that any of the secretaries caught using phrases like quid pro quo, sine qua non, ad hoc, ab initio, ab ovo and status quo would be transferred. This was a bombshell. We were deprived at a blow of practically our whole official vocabulary. Moreover as he read through the circular I distinctly heard him say under his breath: "This will pin their ears back."
You can imagine, old fellow, I was stiff with horror. Of course, the poor fellow is not entirely to blame; he was fighting the disease gamely enough. It was just too much for him. I found a novel by Damon Runyon in his desk-drawer one day. I admit that he had the good taste to blush when he saw I'd found it.
But by this time he had begun to suffer from dreadful slips of the tongue. At a cocktail party for instance he referred to me as his "sidekick". I was too polite to protest but I must admit it rankled. But there was a much more serious aspect to the business. His despatches began to take a marked transpontine turn. By God, you'll never believe it but I kept coming across expressions Like "set-up", "frame-up", "comeback", and even "gimmick". I ask you — gimmick.' Antrobus blew out his breath in a cloud of horror. 'As you can imagine,' he went on after a pause, 'the FO was troubled by the change in his reporting. Worst of all, other Ministers and Ambassadors junior to him and easily influenced showed some disposition to copy this sort of thing. Finally it got to such a pitch that all despatches before being printed in Intel-summary form had to pass through a sieve: they established an office in the Rehabilitation section specially for deformed English. Then you remember the Commission on Official English and the book called Foreign Office Prose — How to Write It?'
'Yes. One of the worst-written books I've ever read.'
'Well, be that as it may, it was the direct outcome of Polk-Mowbray's activities. It was a last desperate attempt to stop the rot, old man. It was too late, of course, because by this time that dreadful Churchill chap was wandering all over the globe in a siren suit waving a Juliet at everyone. I need hardly add that Mowbray himself ordered a siren suit which he referred to as his "sneakers". He used to potter round the Embassy grounds in them — a bit furtively, of course, but nevertheless . . . there it was.' Antrobus paused for a long moment as he sorted out these painful memories. Then he said grimly, under his breath, and with dark contempt: 'Faucet, elevator, phoney. I ask you.'
'Yes,' I said.
'Hatchet-man . . . disc-jockey . . . torch-singer.'
'Yes. Yes. I follow you.'
'It was terribly sad. Poor Polk-Mowbray. Do you know that he went to a Rotary meeting in a hand-painted tie depicting a nude blonde and referred to it in his speech as "pulchritudinous"?'
'Never.'
'He did.' Antrobus nodded vigorously several times and took a savage swig at his drink. 'He absolutely did.'
'I suppose', I said after a moment, 'that now he is retiring he will settle over there and integrate himself.'
'He was offered a chance to go to Lake Success as a specialist on Global Imponderables, but he turned it down. Said the IQ wasn't high enough — whatever that meant. No, it's even more tragic. He has taken a villa outside Rome and intends to summer in Italy. I saw him last week when I came back from the Athens Conference.'
'You saw him?'
'Yes.' Antrobus fell into a heavy brooding silence, evidently stirred to the quick. 'I don't really know if I should tell you this,' he said in a voice with a suspicion of choking in it. 'It's such a nightmare.'
'I won't repeat it.'
'No. Please don't.'
'I won't.'
He gazed sadly at me as he signed his bar slips, waiting in true Foreign Office style until the servant was out of earshot. Then he leaned forward and said: 'I ran into him near the Fontana, sitting in a little trattoria. He was dressed in check plus-fours with a green bush jacket and a cap with a peak. He was addressing a plate of spaghetti — and do you know what?'
'No. What?'
'There was a Coca Cola before him with a straw in it.'
'Great heavens, Antrobus, you are jesting.'
'My solemn oath, old man.'
'It's the end.'
'The very end. Poor Polk-Mowbray. I tried to cringe my way past him but he saw me and called out.' Here Antrobus shuddered. 'He said, quite distinctly, quite unequivocally, without a shadow of doubt — he said: "Hiya!" and made a sort of gesture in the air as of someone running his hand listlessly over the buttocks of a chorus girl. I won't imitate it in here, someone might see.'
'I know the gesture you mean.'
'Well,' said Antrobus bitterly, 'now you know the worst. I suppose it's a symptom of the age really.' As we sauntered out of his club, acknowledging the porter's greeting with a nod, he put on his soft black hat and put his umbrella into the crook of his arm. His face had taken on its graven image look — 'a repository of the nation's darkest secrets'. We walked in silence for a while until we reached my bus stop. Then he said: 'Poor Polk-Mowbray. In Coca Cola veritas what?'
'Indeed,' I said. There could not be a better epitaph.
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